Entertainment

'Maleficent' sequel wins the box office but performs below expectations

Maleficent Mistress of Evil Disney
"Maleficent: Mistress of Evil." Disney
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After Warner Bros.' dominance the last two weeks thanks to "Joker," Disney has stepped up to take the top spot at the domestic box office this weekend with "Maleficent: Mistress of Evil." However, this villain didn't do close to the same business the evil clown did.

"Mistress of Evil," which is a sequel to 2014's "Maleficent," in which Angelia Jolie reprises her role of the legendary Disney villain from "Sleeping Beauty," took in an estimated $36 million. 

  • That's below the $40 million projection the industry had for the movie's opening.
  • And it's under the $69.4 million the original title earned in 2014.

Read more: Why Kevin Smith put a "Dogma" character in his new movie even though Harvey Weinstein still owns the rights

That's not great for a movie with a reported budget of $185 million, however, if the first movie was any indication, "Mistress of Evil" will earn the bulk of its box office overseas. "Maleficent" brought in over $500 million in foreign tickets.

"Mistress of Evil" also had some competition. WB's "Joker" is staying strong in week three, coming in second place with $29.2 million. Made for around $60 million, the twisted drama now has a worldwide total of over $737 million.

Sony's "Zombieland: Double Tap," the sequel to 2009's "Zombieland," came in third place with $26.7 million. Though it took ten years to make a sequel, Sony made it for only $23.6 million, and that modest spending will likely lead to the studio breaking even or perhaps making a profit on the zombie comedy by the end of its run.

 

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Jason Guerrasio
Jason Guerrasio
Jason Guerrasio is an award-winning entertainment correspondent at Business Insider and has covered various aspects of the film industry for over two decades. On the site, his reporting can range from what's going on behind the scenes at some of the biggest companies in Hollywood, colorful interviews with some of the most well-known names in entertainment, and exploring the darker side of the industry.In 2020, Jason received the New York Press Club award and Los Angeles Press Club award for his story on the rise and fall of MoviePass. It has since been made into the Emmy-nominated HBO documentary "MoviePass, MovieCrash."Previous to BI, Jason was the managing editor at Filmmaker Magazine, one of the leading publications in the independent film industry. He's also written for numerous publications over the years, including Vanity Fair, Esquire, Rolling Stone, Vulture, Variety, and indieWire.Popular ArticlesMary Carole McDonnell built a true-crime empire. Then the FBI came for her. Growing up Marvel: The tormented life of Stan Lee's child, JC LeeA bullet. A legend. A lie. Bufford Pusser killed his wife, authorities say. What happens to his legacy now?